Francesc Rife工作室为Vibia设计的新展台，仿佛是一座小型住宅建筑，拥有平坦、倾斜和山墙屋顶，展示了与公司新颖性在情感上紧密相连的亲密叙事。
As if they were small residential buildings, with their flat, sloping, and gabled roofs, Francesc Rifé Studio's new stand design for Vibia displays an intimate narrative emotionally linked to the novelties of the firm.
穿过这些天然杨木建筑的线路有两个入口：一个入口专门展示 Umut Yamat 的新 Array 系列，第二个入口则展示 Stefan Diez 的 Plusminus。 在这两个入口之间，该系列的周边布置允许围绕一个大的中央体量进行循环路线。
The circuit through these natural poplar wood architectures is explored from two entrances: one dedicated to the new Array collection by Umut Yamat and the second to the Plusminus by Stefan Diez. Between both, the perimeter arrangement of the collection allows a circular route around a large central volume.
这个中心不仅作为Antoni Arola的Circus照明系统的展示区，而且还作为公司团队的工作区或举办演讲和活动的接待区。它的内部因使用水平板条而引人注目，与展台板条的垂直性形成对比，绿色覆盖了核心的外部，象征性地作为Sebastian Herkner的Class和Martín Azúa的Dots户外灯具的植被。
Not only does this hub serve as an exhibition area for Antoni Arola's Circus lighting system, but functions as a working area for the company's team or as a hosting area to throw presentations and events. While its interior stands out for the use of horizontal slats, in contrast to the verticality of the slats of the stand, the green color covers the exterior of the core to symbolically serve as vegetation for the outdoor luminaires Class by Sebastian Herkner and Dots by Martín Azúa.
空间的相互联系通过圆形开口延伸到整个展台，大小不一，除了框住藏品外，还创造了一种或大或小的神秘感。此外，不同的生活区，再现了家庭的温暖，分布在地板上，人们可以坐下来思考光的魅力。
The interconnection of the spaces through circular openings extends throughout the entire stand ranging in size to create a greater or smaller sense of mystery in addition to framing the collections. Also, different living areas, which recreate the warmth of the home, are distributed on the floor where one can take a seat to contemplate the magic of light.
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