一直以来，我们无意间会用城市生活的范本来理解和构造乡村，但处于生活的现实性之中的乡村，其本身的情感应被城市所借鉴，为日趋疏远的人们带来温度。如同海德格尔的一生不断回到托特瑙山中乡间小屋那样，为从中能得到优雅的舒展，进入存在生活的质朴之中。
For a long time, the model of the urban life can be inadvertently used to understand and construct the countryside. However, the countryside in the reality of life should be borrowed by the city to bring warmth to the increasingly alienated people. It just seems as the scene that Heidegger kept returning to the country cottage in the Todtnauberg Mountains throughout his life, which can get an elegant stretch from it, and enter into the simplicity of existential life.
▼入口，Entrance © Wang Minjie
乡村一直无形的维系着地方性本源，与“邻居”概念相勾通，由此展开联想：乡间小院，栅栏环绕，院中栽树，头顶满树韶光……而后将其意向化，营造自然、悠闲的氛围。设计以“树”为中心，将其立于空间之中，分割内外，其间对钢筋混凝土的剥离是建构诗意的入幕式开场，也昭示我们对建筑时间性的初步探索。钢结构的显现也可引导磁吸为顾客能动地直白展示空间所表达的情感。“树木”在乡村中是社会结构联系的枢纽，聚集人们的精神归属，乡民的聊天活动常围绕于树下，这种围聚感带动周遭联系，乡村便也时刻充满活力。于此，便将这种依存关系融入设计空间。
The countryside has always invisibly maintained its local foundation, linked to the concept of “neighbor”. Thus, the association can be unfolded: a small courtyard in the countryside, surrounded by fences, trees planted in the yard, and trees and beautiful springtime overhead… Afterwards, it is intentional to create a natural, and laid-back atmosphere. The design is centered on the “tree”, which stands in the space, dividing the inside and outside, and the stripping of reinforced concrete is a poetic opening to the construction. Moreover, it also indicates our initial exploration of the temporality of architecture. The appearance of the steel structure can also guide the magnetic attraction to show the emotions expressed in a dynamic and straightforward way in the space for customers. “Trees” are the hub of social structural connections in the village, which gathers the spiritual affiliation of people, and the chatting activities of villagers often revolve around the trees. This sense of encirclement can drive the surrounding connection. Thus, the countryside can be always full of vitality. In this way, the dependency is integrated into the design space.
▼“树”带动的围聚感，Sense of encirclement driven by the “tree” © Wang Minjie
而“树荫”的形成，则以金属片板组合排列，让光线穿透其中，消隐人工痕迹，树影婆娑。入口玻璃窗借景引树冠入室内，与天花相衬，模糊内外界线。
The formation of “shade” is arranged in a combination of metal plates, which allows light to penetrate it, and eliminates the artificial traces and the shadow of the tree. The canopy can extend into the interior space through the entrance glass window as the scenery, which contrasts with the ceiling and blurs the inner and outer lines.
▼室内概览，interior overall © Wang Minjie
▼“树荫”体现，Embodiment of “Shade” © Wang Minjie
此外土红色砖石铺地、门外休闲椅、步入式台阶、“栅栏式”玻璃……都在塑写乡村间质朴的基调，让风光雨露宜于敏感的身体知觉。在场地3×10M的内部细长空间中，我们进行分配，空间布局块状排列两侧，认为中庭的通透更能让空间进行延伸，视觉上扩大内部，同时也增强围聚感。共通的空间让人与物，人与人之间增强情感传递，也彰显品牌对食材用料的自信。
▼就餐区，dining area © Wang Minjie
In addition, the earth-red masonry floor, the lounge chair outside the door, the walk-in steps, the “fence” glass… They are all shaping the rustic tone of the countryside, making the scenery and rain suitable for sensitive body perception. In the slender space of the 3×10m interior of the site, the space layout is allocated on the two sides in blocks. It is believed that the transparency of the atrium can extend the space, the interior can be visually expanded. Meanwhile, it also enhances the sense of agglomeration. The common space enhances the emotional transmission between people and objects, and also highlights the confidence of brand in the use of ingredients.
▼空间概览，Spatial Overview © Wang Minjie
在明亮喧嚣的外部之内是安静悠闲的手冲吧，于隐形门的隔绝下，根据不同情感需要，改变灯光、材质来追求慢节奏消隐于市，但内外工艺语言依旧保持一致。
In the bright and noisy exterior is a quiet and leisure hand drip bar. Under the isolation of the invisible door, the lighting and materials can be changed to pursue a slow pace to disappear in the city according to the different emotional demands. However, the internal and external craft language is still consistent.
▼内部手冲区，Internal Hand Drip Area © Wang Minjie
▼空间细节，Space Details © Wang Minjie
▼轴侧分析图，Analysis Diagram of Axis Side © MAS
▼平面图，Floor Plan © MAS
项目名称：Neighborhood Coffee
项目地址：中国杭州
空间及装置设计：MAS芒果建筑设计
主创设计：樊想
设计师：王磊、王佳鹏
竣工日期：2023年4月
建筑面积：40㎡
施工制作：有利（杭州）建设装饰工程有限公司
灯光设计：荣熙照明
摄影：汪敏杰
编辑：陈诺
主要材料：桦木板、不锈钢、铁板、水泥
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