任何对空间使用方式的变化都需要采取一系列的手段，使其能够满足固有场所之外的使用需要。因此，这项改造任务变得既令人兴奋又非同寻常——将一座被废弃的文艺复兴时期的教堂改造成一个住宅。
在整个过程中，三个概念构成了设计的主线：场地历史、客户需要以及项目作为“序幕”的身份特征。
Any change in the use of a space requires a series of actions that adapt such place to the new needs that are presented beyond the implicit ones that entails the updating of it. On this occasion, the task of transformation was as motivating as it was exceptional: transforming an abandoned Renaissance church into a home.
Throughout the process, three concepts constituted the road map for us: the history, the client and the project understood as a prologue.
▼项目外观，Appearance © Carlos Garmendia Fernández
关于历史
The history
本项目是基于一座建于16世纪后期的小教堂（没有比东宫大多少）上进行的，教堂在18世纪末期经历了新古典主义的改造，建筑的高度被抬升了，并增加了新的事物——一个钟楼和一个水槽。
最初，这座教堂缺少顶部遮盖，其内部结构已经倒塌，且结构不稳定的情况令人担忧。但从区位上看，教堂位于Las Barrietas，在Sopuerta市内，四周分布着十几座独立的建筑，可以说项目在群山环绕、植被茂盛的场地中占据着优越的地理位置。
设计者的想法是以敏感的方式进行干预，非必要不去触碰教堂本身，这种设计方法可以理解为一个局外人被嵌入在这座废墟当中。
▼剖面效果图，section rendering © Garmendia Cordero arquitectos
The intervention was carried out on a small church (not much bigger than a hermitage) built during the second half of the 16th century and which underwent an important remodeling in neoclassical terms at the end of the 18th century, increasing its height and adding, among other things, a belfry and a water trough.
At the start of the project, the building was without cover, collapsed in its own interior, and in a worrying state of structural instability. Located in the neighborhood of Las Barrietas, within the municipality of Sopuerta and surrounded by a dozen isolated buildings, occupies a privileged position within a site surrounded by mountains with lush vegetation
The idea of intervening in the most sensitive way possible was prioritized at all times, touching the church only when there was no other alternative, understanding the action as an outsider element implanted within a ruin.
▼内部空间概览，Overview of the interior space © Carlos Garmendia Fernández">
▼首层起居室，Ground floor living room © Carlos Garmendia Fernández
▼业主Tas坐在起居室，Tas sits in the living room © Carlos Garmendia Fernández
▼首层餐厅，Ground floor dining space © Carlos Garmendia Fernández
▼从餐厅望向厨房，View from dining space towards kitchen © Carlos Garmendia Fernández
关于业主
The client
设计团队以往的每个项目都围绕着一位业主，或至少一个最终会居住在项目中的用户来展开，这次，业主的形象扮演了更为重要的角色。
对住宅的思考与其居住者的生活方式有着非常直接的联系，因此，这个项目也是一个试图驯服不同寻常的空间的尝试，既要尊重过去的历史，又要结合当代的概念，把住宅理解为一个开放的空间，将家庭设计为一个聚会的场所——该设计可以视为一个住宅建筑社会化的机会。
基于以上考虑，该项目最终由设计师和业主双方共同设计，因为业主Tas既是项目的发起者，又参与了项目可视化、设计、草图绘制、甚至部分执行工作，所以在设计过程中双方分享很多关注点、知识、愿景和对某些想法的痴迷。
Each project revolves around a client or at least one user destined to inhabit the project but, in this case, this figure acquires a much greater role.
The way to think a dwelling is directly linked to the lifestyle of the inhabitant and, for that reason, this project is the result of a desire to tame an unusual space, to do so with respect to the previous history but with contemporary concepts, to understand housing as an open space and to set up the home as a meeting place, as an opportunity to socialize housing architecture.
So, this project ended up being designed by “two hands”, sharing concerns, knowledge, aspirations and obsessions because Tas, the client, became the generator of the project, visualizing, designing, drawing, and even being part of some execution parts of the work.
▼通向二层的楼梯，Stairs leading to the first floor © Carlos Garmendia Fernández
▼站在楼梯上看向通高的空间，Standing on the stairs and looking towards the double-height space © Carlos Garmendia Fernández
▼二层卧室，First floor bedroom © Carlos Garmendia Fernández
▼通向阁楼的楼梯，Stairs leading to the attic © Carlos Garmendia Fernández
作为“序幕”的项目
The project understood as a prologue
从最初，项目便被理解成序幕，作为一项随着时间的推移而被延长的设计任务，设计周期随着工作的完成而不断发展，当建筑师完成了他们的本职工作后，项目将在业主Tas的手中继续进行。
项目将会按照一开始设定的前提，尊重已有的部分，使当下生成的部分可视化，自发且有意识地面对建筑的历史，不去触碰或弥补其在时间旅行中留下的伤疤。
设计假设了改变建筑用途产生的后果，规模的变化意味着在原本教堂的地方产生一个住宅，不同的照明和环境需象征着这里新的生活。人们会在理解这个新空间的过程中为它赋予新的价值，在不忘却过去的前提下，将宗教空间转化为一个家。
It was understood like this from the start, as a design task extended in time which has been evolving as the work was done and that, once finished the work of the architect, will continue to grow in the hands of Tas.
And it will do so following the same premises marked from the beginning and under which our intervention has taken place. It will do so by respecting what was already there, leaving visible what is generated in the present, voluntarily and consciously facing the history of the previous building, without touching or making up the scars that show their travel almost as directly as a story would.
It will do so assuming the consequences that entails a change of use, the change of scale that implies generating a dwelling within what was conceived as a church, in the different lighting and environmental needs that mark its new life. And it will do so by understanding how that new space has acquired a new value, how it has been achieved, without forgetting the past, to convert a space of worship into a home.
▼洗手台，Sink © Carlos Garmendia Fernández
▼新增的屋顶结构，Added roof structure © Carlos Garmendia Fernández
▼建筑室外院子，The outdoor yard © Carlos Garmendia Fernández
▼建造过程，Construction process © Carlos Garmendia Fernández
▼项目区位，site plan © Garmendia Cordero arquitectos
▼首层平面图，ground floor plan © Garmendia Cordero arquitectos
▼二层平面图，first floor plan © Garmendia Cordero arquitectos
▼剖面图，section © Garmendia Cordero arquitectos
▼立面图，elevation © Garmendia Cordero arquitectos
|
/1 
