伦敦Shoreditch有一栋可以拆卸和组装的建筑，它的设计是可回收的。然而，它不仅仅是乐高玩具的性质。它高17.8米，是伦敦市中心最高的大型木材办公楼，比同类建筑少使用37%的碳，并且100%由可再生能源供电。黑白大楼不仅仅是一个可持续建筑的实物课程，它也是一个公司和创意者的整体聚会场所。
In London’s Shoreditch is a building that can be taken apart and put back together—it’s designed to be recyclable. And yet,there’s more to it than just its LEGO-ish nature. At 17.8 metres high, it’s the tallest mass timber office building in central London, using 37% less embodied carbon than comparable structures, and powered by 100% renewable energy sources (thanks to 80 solar panels on the roof). The Black & White Building isn’t just an object lesson in sustainable architecture, it’s also a holistic meeting ground for companies and creatives.
它是木材设计专家Waugh Thistleton Architects和Daytrip的合作，是以设计为主导的工作场所专家The Office Group，即TOG在伦敦的第七个前站。该建筑打破了典型的商业办公室的刻板印象，充满了多种形式的空间，包括28个不同大小的办公室、6个会议室、电话和焦点亭、一个专门的瑜伽和杠铃工作室、94个自行车存储空间和大量的淋浴间。休息室、休息区和户外空间分布在整个建筑中，屋顶甲板提供了一览无余的天际线景观。
A collaboration between timber design experts Waugh Thistleton Architects (architecture) and Daytrip (interior design), it is the seventh London outpost of design-led workplace specialists The Office Group (TOG). Breaking away from the typical commercial office stereotype, the building brims with multi-format spaces, including 28 variously sized offices, 6 meeting rooms, phone and focus booths, a dedicated yoga and barre studio, 94 bike storage spaces, and lots of showers. Lounges, break-out areas and outdoor spaces are sprinkled throughout the building, and crowned off by a rooftop deck offering sweeping views of the skyline.
在这个办公空间里，你会发现酸黄色的地毯、以及"好莱坞 "的红色色调，这些物品生动而富有感情。为了与建筑精神保持一致，每一个细节都有一个目的，郁金香木百叶窗既能最大限度地减少太阳辐射，又能最大限度地利用自然光，而厨房的表面则使用了Richlite再生纸复合板，这与场地曾经作为木材调味棚的作用相呼应。
In this office space you'll find a lively and emotive palette of acid yellow carpet, ‘Hollywood’ red, In keeping with the architectural ethos, every detail has a purpose: tulipwood louvres at once minimise solar gain and maximise natural light, while surfaces in the kitchen wear Richlite recycled paper composite boards that nod to the site’s once-upon-a-time role as a timber seasoning shed.
贯穿室内方案的一个反复出现的主题是工艺和工匠精神的理念。Daytrip Studio从不同的年代和风格中汲取灵感，家具也发挥了这种怀旧性。例如，温暖的机构色调与东京大仓饭店1960年代的内饰相呼应，而更引人注意的图案和颜色则来自芬兰的家具和纺织品设计师Antti Nurmesniemi的工作室和住所，美学灵感基本上来自世界各地的手工住宅和制造商工作室。
One recurrent theme throughout the interior scheme is the idea of craft and artisanship. Daytrip Studio drew inspiration from different decades and styles, and the furniture also plays on this nostalgia. For example, warm institutional tones hark to the 1960s interiors of Hotel Okura in Tokyo, whereas more attention-seeking patterns and colours stem from the studio and residence of furniture and textile designer Antti Nurmesniemi in Finland,the aesthetic inspiration, by and large, came from artisanal dwellings and makers’ workshops from around the world.
位于底层的书房式会议室是一个典型的例子。它被可书写的玻璃墙包围着，里面摆放着Philippe Malouin的豆袋式Puffer扶手椅，并可以根据场合重新安排，它是那种有望挖掘出每一个创意细胞的地方。被自然材料所包围对人的灵魂是有益的。这对公司是有好处的，因为在木结构建筑工作的人往往在工作岗位上呆的时间更长，工作时间更长，效率也更高。毫无疑问，这对公司和创意人员都是双赢的。
The den-like meeting room on the lower ground floor is a classic case in point. Cocooned in walls of writable glass and filled with Philippe Malouin’s bean bag-like Puffer armchairs (which can be rearranged to suit the occasion), it’s the sort of place that promises to tap out every last creative cell. It’s good for the soul to be surrounded by natural materials. It’s good for companies because people working in timber buildings tend to stay in the job longer, work longer hours, and be more productive, It’s no doubt a win-win for companies and creatives alike.
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