建于1935年的和平码头，是厦门最早的港口起始港，它与鼓浪屿隔海相望，见证了近百年来厦门的港口兴衰。借由独特的景观优势和露天环境，业主希望这个位于码头顶层的餐厅重现一种传统的闽南生活样貌。
Built in 1935, the Peace Pier is the first port of Xiamen. Facing Gulangyu Island across the sea, it has witnessed the rise and fall of Xiamen’s ports in the past hundred years. With its unique landscape and open-air environment, the owners wanted to recreate a traditional southern Fujian lifestyle at the top of the pier.
▼项目概览，overall of the project ©许晓东
“埕”和“戏”在这个项目设计中被作为两个重要意向。闽地食材从海产到山货，“人生海海”的闽南人好客、爱吃、爱热闹，无论烹饪方式还是办桌吃饭，都热闹鲜明。所以在小埕戏里，“戏”除了是常有木偶、歌仔戏出演的一个戏台，更被理解为饮食男女、人间百态的烟火景象。
“Cheng” and “Xi” are taken as two important design intentions of this project. The food in Fujian Province ranges from seafood to mountain products. The people of southern Fujian who live by the sea are hospitable, love to eat and love to be lively. So in XIAO CHENG XI, “Xi” in addition to often puppets, a stage in the play, more understood as the food of men and women, human fireworks scene.
▼由室内看露台外摆区，viewing the terrace area from interior ©许晓东
▼接待/收银台，reception / cashier’s desk ©许晓东
▼餐厅内的烟火气息，vibrant ambiance in the restaurant ©许晓东
而“埕”，则是房子门前或被建筑所包围的开阔地。闽南人家厝厝相连，内院外埕，加之闽地多由血缘、宗亲串联，所以埕除了是晾晒、纳凉、丰收时晒谷的所在，也是节庆宴客、孩童嬉戏、邻里八卦的集散空间，有着许多闽南人儿时的公共生活记忆，是人间百态的空间承载。
“Cheng”, on the other hand, is the open land in front of the house or surrounded by buildings. In addition, Fujian is mostly connected by blood and family ties. Therefore, “Cheng” is not only a place for drying, cooling and drying grain in harvest, but also a gathering and distribution space for festival guests, children playing and neighbors gossiping. It has many memories of public life of southern Fujian people in their childhood, and is a space bearing all kinds of human beings.
▼由“埕”看柴火灶间，viewing the smoky wood stoves from the “Cheng” area ©许晓东
▼细部，details ©许晓东
▼室外细部，exterior details ©许晓东
穿过烟雾缭绕的柴火灶和几个海景包厢，登上一把木梯，你会看到以水泥、夯土、灰砖、青石作基底的断壁残垣，桌椅散落在其中。以及处处可见的从福建、云南、贵州、四川等地搜集来的民俗生活器具。景观也未雕琢，是俯首或转头即是的杂草、果树、枯木和小溪，四季都有枯有荣。
▼通往主要餐厅空间的木梯，the wood stairs leading to the main restaurant area ©许晓东
Trough the smoky wood stoves and several private ocean view rooms, then climb a wood stairs, you’ll find tables and chairs scattered among the shattered walls of cement, rammed earth, gray brick and bluestone. And the folk living utensils collected from Fujian, Yunnan, Guizhou, Sichuan and other places. The landscape is not carved, is to bow or turn the head is weeds, fruit trees, dead wood and streams, the four seasons have withered and glorious.
▼建筑成为景观的画框，the building becomes the picture frame of the landscape ©许晓东
▼空间氛围彰显闽南特色，
the space atmosphere highlights the characteristics of southern Fujian ©许晓东
▼楼梯与天窗，staircase and skylight ©许晓东
▼包厢细部，details of the private room ©许晓东
在这个项目里，并不追求单一材料的设计语言，相反，希望在整体的把控下容许或者说组织相当程度的无机和失序，在“荒置”上重新起炉生火，摆桌设宴，搭台唱戏，让它“重现生机”，重现一种市井烟火的饮食场景，是“埕”和“戏”的连结，也是这个项目的本意。
In this project, not the pursuit of a single material design language, on the contrary, we hope to allow and organize a considerable degree of inorganic and disorder in a overall control , rekindle the fire on the furnace, set a table banquet, build stage for opera, so that it “re-vitality”, reproduce a market fireworks food scene, is the link of “Cheng” and “Xi”. It is also the intention of this project.
▼包厢入口，entrance of the pirate room ©许晓东
▼桌椅散落在断壁残垣中，tables and chairs are scattered among the broken walls ©许晓东
▼夜景，night view ©许晓东
▼平面图，plan ©退化建筑
项目名称：小埕戏
项目类型：空间设计
设计方：退化建筑
公司网站：DEVOLUTION.CN
项目设计：2020年
完成年份：2021年
设计团队：DEVOLUTION 退化建筑
项目地址： 福建省厦门市思明区鹭江道3号和平码头1电梯4楼
建筑面积：约2000平方米
摄影版权：摄影师：许晓东
客户：小埕戏
材料：木头，夯土
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