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Rick Joy是一位来自美国的混凝土建筑师，1958年出生于缅因州。他在缅因州大学（ University of Maine）学习音乐，之后在亚利桑那大学（University of Arizona）学习建筑学，于1990年毕业。他的建筑生涯始于在Will Bruder Architects的第一份工作。
Rick Joy is an American concrete architect who was born in 1958 in Maine. He studied music at the University of Maine and architecture at the University of Arizona, graduating in 1990. His architectural career began with his first job at Will Bruder Architects.
1993年，Rick Joy成立了自己的同名工作室Studio Rick Joy，工作范围从高概念的当代设计到传统建筑和总体规划服务。工作室在以生活方式为基础的项目方面拥有丰富的经验，涵盖了各种类型和地点的项目。他们早期在沙漠地区的住宅项目在设计中多采用夯土、钢筋和混凝土。 In 1993, Rick Joy founded his eponymous Studio, Studio Rick Joy, whose work ranges from high-concept contemporary design to traditional architecture and master planning services. The studio has extensive experience in lifestyle-based projects covering a wide range of genres and locations. Their early residential projects in the desert were designed with rammed earth, steel and concrete.
Rick Joy将房子描述为“一种生活在景观中的方式的主张”。他认为建筑是有教育意义的，在这个过程中，创作得越多，对自然的了解就越多。实际上，建筑与环境之间的关系是浪漫的，恰巧建筑是最能说明问题的，人们不需要手表就可以在一天中不同的地方看到太阳的轨迹，并知道它是一天中的什么时间。Rick Joy把他的设计过程称为一种学习自然和建筑的方式，夯土墙使他的建筑与众不同。 Rick Joy describes the house as "an assertion of a way of living in the landscape". He believes that architecture is educational, and in the process, the more you create, the more you learn about nature. In fact, the relationship between architecture and the environment is romantic, and it just so happens that architecture is the most telling. People don't need a watch to see the trajectory of the sun in different places throughout the day and know what time of day it is. Rick Joy calls his design process a way to learn about nature and architecture, and rammed earth walls set his buildings apart.
Rick Joy很多时候在描述自己的作品时喜欢用这样的短语：精心设计的空间中的氛围感，细致入微的观察，生动的意识，感官协调，优雅和平静，当地的精致精神，地方的独特性，场地的节奏和模式，完美的视野，景观中的对象。最后最重要的一个是借鉴来自彼得·卒姆托的“慢建筑”，一切都得慢慢来。 Rick Joy often uses phrases to describe his work: the sense of atmosphere in well-designed Spaces, meticulous observation, vivid awareness, sensory harmony, elegance and calm, the delicate spirit of the place, the uniqueness of the place, the rhythm and pattern of the site, the perfect view, the objects in the landscape. The last and most important one is borrowed from Peter Zumthor's "slow architecture," where everything has to be done slowly.
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