Drake Anderson因其令人眼花缭乱的魅力和色彩组合而被认可，是一些闪闪发光社会场所的常客，是许多这个国家最迷人的空间的作者。
Drake Anderson’sprevious hits may be recognized for their heady mix of glamour and color, A fixture in New York’s glittering socialscene, Jamie Drake is the author of some of this country’s most glamorousspaces.
当谈到装饰这个被267英亩林地环绕的具有11年历史的玻璃盒子时，他们表现得很酷。一个柔和的木质色调和混合舒适的纹理定义了这个温和的林地家园。
When itcame to decorating this 11-year-old glass box—surrounded by 267 acres ofwoodland—they played it cool. A soft, woodsy color palette and a mix of cozytextures define this gentle woodland home.
业主是几家科技公司的两位创始人和董事会成员，这座建筑的透明度和周围土地的美景首先吸引了他们。业主欣然接受这种与自然在视觉上紧密相连的生活方式，并选择不以任何方式遮蔽玻璃。
Thetransparency of the building and the beauty of the land around it are whatfirst attracted the owners, who are two founders and board members of severaltechnology companies.The owners embrace theability to live so visually connected to nature and have chosen to not obscurethe glass in any way.
当工作开始的时候，大自然已经渗透到了里面。字面上的意思是:平坦的屋顶已经渗漏多年，在墙壁和天花板后面留下了厚厚的绿色和黑色的霉菌。有一次，承包商发现了一个蛇窝，还有很多“你在曼哈顿通常找不到的东西，”Drake开玩笑说。
When workstarted, nature had infiltrated inside. Literally: The flat roof had leaked foryears and bestowed a gift of thick green and black mold behind the walls and ceiling.At one point, the contractor found a snake nest plus lots of “things you don’ttypically find here in Manhattan,” jokes Drake.
结构工作完成后，DrakeAnderson用自然材料模糊了外部和内部之间的美学界限。客厅采用白色橡木天花板和地板，浴室内的玛瑙墙，一条巨大的羊皮地毯，定制的编织室内装潢使空间变得柔和。这个项目是使用纹理和材料的平衡，以对抗一些严重的材料，如混凝土、金属和玻璃，给人一种舒适的感觉。
Oncestructural work was complete, Drake and Anderson blurred the aestheticboundaries between the outside and inside using natural materials. Stainedwhite oak ceilings and floors, an onyx wall in the bathroom, a giantsheared-lambskin rug in the living room, and custom woven upholstery were implementedto soften the space. The project was a balance of using texture and materialsto counter some of the severe materials such as concrete, metal, and glass togive it a cozy, comfortable feeling.
不可避免地会出现一些玻璃房子的影子，包括Mies van der Rohe的Farnsworth房子或Philip Johnson在康涅狄格州新卡南设计的arnsworth住宅。但设计师们拒绝了做一个中世纪的模仿的冲动。“我们的一些项目倾向于现代，一些倾向于传统，但总是有很多参考案例”德雷克说。中世纪作品与现代和定制混合在一起，创造出有趣的对话。德雷克总结道:“如果不是这样，那就太俗气了。”
There areinevitably a number of templates of glass houses to follow—including theFarnsworth house by Mies van der Rohe or Philip Johnson’s in New Canaan,Connecticut—yet the designers resisted the urge to do a midcentury pastiche.“Some of our projects lean toward modern, some lean traditional, but there arealways multiple references,” says Drake. Midcentury pieces mix here withcontemporary and custom to create interesting dialogues. “It would have beencheesy otherwise,” Drake concludes.
主浴室的缟玛瑙墙是对密斯·凡·德罗的巴塞罗那馆的致敬。他带来了丰富的材料来对抗最小的建筑，就像德雷克/安德森在这里做的。Anderson说:“这对我们的客户来说是一个独特的项目，对我们来说也是一个独特的项目。这完全是大自然和外面的世界。”
Theonyx wall in the master bathroom is a nod to Mies van der Rohe’s BarcelonaPavilion. He brought in lavish materials to counter the minimal architecture,just as Drake Anderson do here.“This was a unique project for our clientsand a unique project for us, It’s really all just about nature and what’soutside,” says Anderson.
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