该项目包括车库改建和底层翻新，位于伦敦北部 Primrose Hill 一条安静的鹅卵石mews上。这条街道位于Belsize公园保护区内，这意味着任何拟议的面向街道的改建都需要仔细考虑，以避免损害现有的特征。Trewhela Williams将以前的车库整合到住宅中，回收了急需的可居住空间，并使其升级为热效率高的建筑。正面的开放改善了外观，接纳了日光并实现了交叉通风。
The project comprises of a garage conversion and ground floor refurbishment of a courtyard house on a quiet cobbled mews in Primrose Hill, North London. The street falls within the Belsize Park Conservation Area meaning that any proposed street-facing alterations needed to be carefully considered so as to not harm the existing character of the mews.The integration of the former garage into the home reclaimed much needed habitable space and enabled the upgrade to thermally efficient construction. The opening of the frontage improves aspect, admits daylight and enables cross-ventilation.
以前的车库门被重新设计成一个精雕细琢的橡木鳍状结构。倒角翅片的安排在调和日光接纳和隐私屏蔽的竞争考虑方面发挥了功能作用。平面、体积和边缘的俏皮编排让人想起艺术家Donald Judd的木雕作品。隐蔽的固定装置和中央玻璃单元的无框架细节有助于加强整个木工构图的雕塑简洁性。欧洲橡木被涂上了几层白油，以帮助软化纹理的外观，使整体表面呈现出朦胧的同质性。中央的玻璃窗可以 "倾斜 "以实现交叉通风，或者 "转动 "以允许家里的猫冒险出去。
The former garage door is reimagined as a finely crafted oak-finned composition. The chamfered finned arrangement serve a functional role in reconciling the competing considerations around daylight admission and privacy screening. The playful choreography of planes, volumes and edges recalls the wood sculptures of artist Donald Judd. Concealed restraint fixings and frameless detailing of the central glazing unit helps to reinforce the sculptural simplicity of the overall carpentry composition. The European Oak was finished with several coats of a white oil in order to help soften the appearance of the grain and lend a hazy homogeneity to the overall surface. The central glazing can ‘tilt’ for cross-ventilation, or ‘turn’ to allow the family cat to venture out.
橡木嵌件设置在现有的开口内，尊重了mews既定的开窗顺序，同时提供了安静而有尊严的性格演变。活跃的门面在视觉上更有活力，为邻里提供了被动监视和照明。地面层的计划是沿着一个9米长的厨房重新组织其前后轴线，横跨整个物业的深度。向后方走去，厨房扩展成一个用餐区，然后收缩成一个小的舒适座位区。
Set within the existing opening, the oak insert respects the established fenestration order of the mews, whilst offering a quietly dignified evolution of its character. The enlivened frontage contributes greater visual animation, passive surveillance and illumination to the neighbourhood. The ground floor plan is re-organised on its front-back axis along a 9m long galley kitchen spanning the full depth of the property. Towards the rear, the kitchen expands into a dining area, before contracting into a small snug seating area beyond.
线性的平面形式和开放的临街面，使前面的街道和后面的现有遮蔽庭院都能实现双视角的采光和交叉通风。中央分隔墙有助于结构化空间，同时为入口大厅、厕所和楼梯提供高大的存储和屏风。极简主义精神贯穿于平静、沉思的室内，由色调和纹理的细微差别来定义，帮助空间作为一个统一的整体来阅读。其核心是一个专业的丹麦石膏，它将墙壁和天花板与一个类似织物的表面统一起来，暗示着未定义的纺织品。
The linear plan form and opening of the street frontage enables dual-aspect daylighting and cross ventilation from both the street at the front and an existing sheltered courtyard to the rear. A central dividing wall helps structure the space whilst providing tall storage and screening to the entrance hall, WC and staircase.A minimalist spirit runs through a calm, contemplative interior defined by tonal and textural nuances that help the space to read as a uniform whole. Central to this is a specialist Danish plaster, which unifies walls and ceiling with a fabric-like surface suggesting undefined textiles.
浑浊的白色Mugla大理石台面毫不费力地沿着房产的整个深度延伸，将街道和庭院连接起来。石头厚重的边缘在上面精致的压制金属架上建立了一个视觉层次。这两个线性元素被一条Carrara斑纹水磨石带所分隔。颜色的使用很稀少，但很精确。最小的框架枢轴门从地板到天花板都被精心设计，使室内和庭院之间的过渡不受阻碍。
A cloudy white Mugla marble worktop stretches effortlessly along the full depth of the property linking street to courtyard. The stone’s weighty edge establishes a visual hierarchy over the delicate pressed metal shelf above. These two linear elements are separated by a band of Carrara flecked terrazzo tiles. Colour is used sparingly, but with precision. A minimal frame pivot door is carefully detailed from floor to ceiling, enabling an unencumbered transition between interior and courtyard.
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