历史的长河从未停止奔流的脚步，斗转星移间山河湖海也在悄然改变。在时间的进程中，美被不断推演，而"山水"这一中国艺术文化的特色，则贯穿在我们对美的认知中，产生潜移默化的影响。我们对山水意象的追求，实际上就是对人与自然关联的渴望。当置身于南山原著的场景中，传统文化在现代的表现形式下，将自然的形体转化成空间的语言。
The long river of history has never stopped running, and the mountains, rivers, lakes and seas are quietly changing. In the process of time, beauty is constantly deduced, and "landscape", the characteristic of Chinese art and culture, runs through our cognition of beauty and has a subtle influence. Our pursuit of landscape image is actually our desire for the connection between man and nature. When you are in the scene of Nanshan's original works, the traditional culture transforms the natural form into the language of space under the modern form of expression.
云水间Between Cloud Water━建筑四面安置水体，天空和不远的南山与其一同映入眼帘。偶有轻风拂过，水面微波，流动的光影映照着室内，熠熠生辉，自然灵动，成为水墨山水那可游可感的真实写照。The building is surrounded by water, and the sky and the nearby Nanshan Mountain come into view together. Occasionally, a light wind blows, the water surface is microwave, and the flowing light and shadow shines on the room. It is natural and flexible, which has become a real portrayal of the swimming and sensible ink landscape.
引水入厅，厅堂两侧水面之上筑有云瓷之墙。瓷块来自艺术家魏瞳的创作。瓷的组合块是正反凹凸自然石面工艺，合上之后则是整的方块，正像撬开的石料，自然凹凸，十分有趣。驻足细观，光线投射上去后光影浮动，加之瓷的哑光洁白阵列，在眼前仿若千变万化的流动白云，点亮厅堂。
Water is diverted into the hall, and cloud porcelain walls are built on the water surfaces on both sides of the hall. The porcelain block was created by artist Wei Tong. The porcelain composite block is a natural stone surface process with positive and negative concave convex. After closing, it is a whole block, just like the stone pried open. It is naturally concave convex and very interesting. Stop and take a closer look. After the light is projected, the light and shadow float. In addition, the matte white array of porcelain looks like ever-changing flowing white clouds in front of you, lighting up the hall.
云瓷墙前，工艺古铜色的装置长桌以宋朝官帽为灵感。桌面模拟制帽后的两段翅子向两端延展，又作不对称处理，在历史的痕迹中多添一分诙谐的味道，让整体富有质感而不至于拘谨。
In front of the cloud porcelain wall, there is a long table in bronze, inspired by the official hat of the Song Dynasty. The desktop simulates that the two wings behind the hat extend to both ends, and are treated asymmetrically, adding a sense of humor to the traces of history, so that the whole is rich in texture and not stiff.
云水间层层递进。尽头白色装置楼梯扶摇而起，作为点景。全开的景窗，框进来不远处的云山，飘渺的背景衬着柔软遒劲的旋转步梯，引人驻足也引人行进。
The clouds and water advance layer by layer. The white device at the end of the staircase rises up as a point view. The fully open view window frames the mountain not far away. The misty background is lined with soft and powerful rotating stairs, which makes people stop and move forward.
意与形Meaning And Form━在赣州千年的历史中，客家文化在此植根生长，拥有了自己的体系。赣州客家围屋多为合院式样的方形，高耸且规整，宽博而浑厚。这样的空间感是在地文化的彰显。沙盘区的尺度模拟的正是这样的空间形态。高耸宽博，用留白的形式把过于浑厚笨重的一面消弭掉，依袭简约自然的调子。上空的灯饰借用书法中草书的笔势，飘逸遒劲的姿态盘旋上方，进一步带出轻快灵动的氛围。In Ganzhou's thousand years history, Hakka culture has rooted and grown here and has its own system. Ganzhou Hakka enclosed houses are mostly square in courtyard style, towering and regular, broad and thick. This sense of space is a manifestation of local culture. The scale of the sand table area simulates the formal form of such a space. Tall and broad, eliminate the too thick and heavy side in the form of leaving blank, and follow the simple and natural tone. The lighting in the sky hovers above in an elegant and vigorous posture by using the brush gesture of cursive calligraphy, further bringing out a lively and flexible atmosphere.
充满韵律的条块状墙体是以赣州南康本土生毛竹为材质，经过厂家一系列的工艺处理成才后做烟熏色，将竹的肌理之美自然之感，以功能与装饰的作用呈现在室内。竹子令人钦佩的不屈姿态与它的自然气息点缀在空间之中，使空间充盈着人文之美。The rhythmic strip-shaped wall is made of native phyllostachys pubescen in Nankang, Ganzhou. After a series of processing by the manufacturer, it is made into smoke color, presenting the beauty of bamboo texture and natural feeling in the interior with the function and decoration. The admirable indomitable posture of bamboo and its natural flavor decorate the space, making the space full of humanistic beauty.
光的交响Symphony Of Light━长方形的敞开式洽谈区如卷轴一般铺展开来，如涓涓细流绵延，一种放松惬意的洽谈环境应运而生。营造光的秩序感是对西侧景窗的切断片状处理，将光线滤进，投在地面上的光影阴影像黑白琴键，让光线随时间变化弹奏无声的乐章。The rectangular open negotiation area spreads out like a scroll, like a trickle, and a relaxed and comfortable negotiation environment arises at the historic moment. To create a sense of order of light is to cut off the west view window, filter in the light, and the light shadow cast on the ground is like black-and-white piano keys, so that the light can play a silent movement with time.
在黑白灰三色的运用下，空间整体如水墨画般充满诗意。窗外天色青山清晰可见，组合烟熏竹板、云瓷室内幽雅，加上云瓷墙前冲煮待客的咖啡茶之香味。身处如此情境中，分享交流或游走或憩息都是一种感官享受。
With the use of black, white and gray, the space as a whole is full of poetry like ink painting. The sky outside the window is clear and the green mountains are visible. The combination of smoked bamboo board and cloud porcelain is elegant in the room, coupled with the aroma of coffee and tea brewed in front of the cloud porcelain wall. In such a situation, sharing and communication, walking or resting are a kind of sensory enjoyment.
山野之诗Mountain Poetry━垒叠的空间造就立体的游走，浑然一体的用色，不同的进光方式，漏透外在的白云、绿景和轻波，似有在苏州园林的太湖石山内嬉戏游走的畅快感。The Lei stacked space creates a three-dimensional walk. The integrated color and different light entry methods leak out the external white clouds, green scenery and light waves, which seems to have the pleasure of playing and walking in the stone mountain of TaiHu Lake in Suzhou Garden.
游走到顶层的空间。视野愈发开阔，周边景色尽收眼底，户内布景也更质朴自然。天色下不远处的山川却是此处最好的装饰，心境也得以彻底抒展。融合进艺术展厅，茶室、健身、休息区，形成有归属感的居家会所，最是恰当妥帖。
Swim to the space on the top floor. The vision is more and more open, the surrounding scenery is panoramic, and the indoor setting is more simple and more natural. In here, the mountains and rivers not far away under the sky are the best decoration, and the mood can be completely expressed. It is most appropriate to integrate into the art exhibition hall, tea room, fitness and rest area to form a home club with a sense of belonging.
"人们有时以为能在时间中认识自己，然而人们认识的只是在安稳的存在所处的空间的一系列定格，这个存在不愿意流逝，当他寻找已逝的时光时，他想要在这段过去中‘悬置‘时间的飞逝。空间在千万个小洞里保存着压缩的时间，这就是空间的作用。”
"People sometimes think they can know themselves in time, but what people know is only a series of frames in the space where a stable existence is located. This existence is unwilling to pass. When he looks for the past time, he wants to 'suspend' the flight of time in this past. Space preserves compressed time in thousands of small holes, which is the role of space. "
在《空间的诗学》的作者加斯东·巴什拉心中，空间的人性价值至关重要。带着自然与人文的元素，南山原著于无声息间从细节中表达对美的感知，构成一个外观素雅而内涵丰富的整体。
In Bachelard Gaston’s heart (the author of the ‘Poetics of space’), the human value is crucial to space. With natural and humanistic elements, NanshanYuanzhu express the perception of beauty from details silently, forming a whole with elegant appearance and rich connotation.
项目信息 Information ━ 项目名称：佳兴地产南山原著艺术馆 Project Name：Jiaxing Nanshan Original Art Museum 项目地址：赣州南康 Project Location：Nankang, Gangzhou 项目面积：2180㎡ Project Area：2180㎡ 室内设计：里约设计 Interior Design：Lia Interior Design 主案团队：李冰峰、韩博、陈武玉、尹莉丹 Chief Team：Li Bingfeng, Han Bo, Chen Wuyu, Yin Lidan 摄影：张骑麟 Photography：Zhang Qilin 主要材料：木化石、艺术瓷片、黑麻石、竹木饰面、肌理漆、仿铜不锈钢 Main Materials：Wood fossil, art porcelain, black marble, bamboo veneer, texture paint, imitation copper stainless steel
李冰峰 里约设计 创始人兼设计总监━里约设计公司成立于2007年，专业从事室内设计、软装配饰设计、照明设计；具备敏锐的设计洞察力，创造了引人注目的人文空间地标；我们与招商蛇口、融创地产、力高集团、禹洲集团、复地集团、深业集团、香港建设、保利地产、中集集团、中润地产等各大地产公司保持长期，良好的合作关系。里约设计于2016年跨界创设的里约创意生活馆，展现、融合了空间设计与美学生活，已逐渐成为引领城市精品生活的独立品牌。
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