项目名称/ 构叙 Project name/ Structure Narration 项目地址/ 浙江.乐清 Project location/ Zhejiang. Yueqing 联合主创设计/ 姜万静.兰斯 Co-creative Design/ Jiang Wanjing .Lance 协案设计/ 蔡丽君.潘琪靖 Contract Design/ Cai Lijun.Pan QIjing 主创及设计团队/ 境象设计师事务所 Creation and Design Team/ MIRROR DESIGN FIRM 建筑面积/ 215 m² Building area/ 215 m²
对于私宅生活方式的提炼.更注重由格局再出发的整体性考虑.再结合实际的功能需求.转而控其主氛围的营造到最终的气质输出. The refinement of the private house lifestyle. Pay More attention to the overall consideration that sets out again from the pattern. Combined with the actual functional requirements. Turn to control the main atmosphere of the building to the final temperament output.
于内场的处理渲染.更为关注其内外的双重精神塑造.再反馈到对功能诉求的理解. Processing rendering in the infield. More attention to its internal and external double spiritual molding. Then feedback to the functional requirements of understanding.
常态关注的背后.加强对于生活层次的深入和再剖析.由日常作为切入点.来作为空间及理念传达的基点. Behind the normal attention. Strengthen the depth and re-analysis of the level of life. By the daily as the entry point. To serve as the basis of space and concept communication.
以重组的方式来重新定义空间与间隔的界限.试图梳理其内在可串联的隐藏关联性. 力求有分而联. Redefine the boundaries of space and spacing in a reorganized way. An attempt is made to tease out the hidden associations that can be concatenated internally. Strive to be united by points.
围绕人为的日常变化及所处空间的叙事性来作为情感寄托的可延展点.去探讨生活方式更多可能性的存在.意图打破某种内定框架的规则输出. Around the artificial daily changes and the narrative of the space as emotional sustenance extendable point. To explore more possibilities of lifestyle. Rule output intended to break a built-in framework.
对于分区的界定.不再仅仅局限既定的格局性.更多的思考其动线的贯穿及空间趣味性的梳理.让彼此相邻空间保证独立的同时.也可以发生日常的联系…… The definition of a partition. Is No longer limited to the established pattern. More thinking about its line of penetration and spatial interesting carding. Let each other adjacent space guarantee independence at the same time. Daily contact can also take place.
使其归于常态.归于实际及生活.让空间更为真切的融入当下的状态.不再是生硬脱离空间的虚幻. To bring it back to normal. To reality and to life. Let the space more real into the current state. Is no longer a rigid departure from the illusory space.
对于我们自身的诉求.我们更希望脱离外饰的直观表达.也许外在的形式普遍会作为人视的焦点.但透过人视.我们希望可以看到的更深.更远…… 由此带来的思考.也是我们更为关注和反省的. What we want for ourselves. We prefer to get away from the visual expression of the exterior decoration. Perhaps the external form will generally serve as the human focus. But through the eyes of man. We want to look deeper. Further. The thought that comes from this. It is also what we pay more attention to and reflect on.
不再是单一的功能诉求切入.更关注其与相邻介质的关联性.无谓显与隐.让沉浸发现的眼光可以更具独到性. No longer is a single function demand cut-in. More attention is paid to its relevance to adjacent media. There is no need to show or hide. Let immersion in the discovery of vision can be more unique.
动静较分明的流线分布.公区的思维设定.则意在记录更多日常惬意的随时发生. More distinct flow line distribution of static and dynamic. The mind set of the common area. It was meant to record more of the daily pleasantness happening at any time. 内境外象--探索于内外之间，通过建筑的思维去梳理空间与间隔之间的关系。在多空间场景的切换中、不断的探索和实践强化变量的认知，对外试图呈现我们自己独到的美学视角，赋予空间多重意义上的诉求。在满足物质条件的同时，力求对精神层次的满足，理性伴随感性的继续，打破传统的生活方式和根深蒂固的思维。 | 
