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以下作品图文由无垠设计供稿并授权发布！
夏天
不仅有着蝉鸣和躁动 还有着 毕业的离别与入学的期待 考试的紧张与假日的悠闲 离别或相聚 忧伤或喜悦 因夏天而染上了不一样的色彩 绚烂而美丽 夏天即是 青春
Insummer With therestlessness of sultry, the cicadas chirp Everywhere isfull of Graduation leave and entranceexpectation The tension ofexaminations arefollowing with the leisureof holidays Parting andgathering Sorrow and joy Are overlaid a unique color with summertime It’s beautiful and gorgeous Vigorous andyouthful
▲ 电影《菊次郎的夏天》Movie"kijiro's summer"
01.假 日Holidays
本案位于莫干山山脚下的劳岭村进入村落时会经过并列的杉树林杉树两边是大片大片的茶园寻着茶路拐两个弯是我们的---秋田布谷亲子民宿 This building is located in villagecalld Laoling, at the foot of Mogan mountain.when we enter the village, we will drivethrough a boulevard of firs,Over the firs, there are immerse tea fields.To arrive the destination, we'll taketwo turns on the tea road.---Akita Bugu homestay for parents andchildren
▲ 远景图 Panoramas
我们在开始秋田布谷二期的设计前，一期的设计理念和经营方向已经定位于亲子主题民宿。
这时秋田布谷民宿主人于我们提出二期的经营方向是以标间为主的客房布局，满足一期客房供不应求之需求。考虑到未来会以包栋形式的营销方式面向包栋的客户群，如团建，婚礼等一系列的年轻活动，于是我们认为二期可以以成长，青春为侧重点，联系一期的童趣，组成完整的有关成长的故事，进而随着这个故事链展开我们之后的设计。
When we started the design of phase IIof Akita Bugu, the overall design concept and business direction had been positionedas parent-child Theme B & B.
At thattime, President Akita proposed that phase II was to provide enough standardrooms as the main guest room layout, so as to meet the increasing demand ofroom in peak time. At the same time, we took consider the possible demand ofblock-booking for a series of youth activities, such as team-building orwedding. Therefore, we think phase II can focus on the theme of growth andyouth, joint with the topic of children‘s interest of phase I, to complete a growth story. That’s how we launch our later design.
▲总平面图 General layout
建筑采用布谷鸟屋的造型，延续一期的设计理念，让一二期建筑绕以院子里的大树，形成空间对话，结合一期动线的曲线，景观的三角动线也绕之展开，将整个秋田布谷的院子塑造成了代表幸运的三叶草造型。
While we continues the concept of thephase I, this building adopts the shape of cuckoo bird house. The buildings ofboth phase are surrounded by the tall trees in the yard, dialogue with eachother. Combined with the curve of the phase I moving line, the triangularcirculation of the landscape is then set up. Meanwhile it shapes the wholeQiutian Bugu courtyard a clover shape which represents luck.
二期的西南面和正南面是景观最佳的视角，盒子A面向西南与庭院发生对话，促进人与自然的情感交流。我们采用悬挑设计，让盒子A以一种看似轻盈的姿态矗立树后，仿佛栖居大树之上。悬挑的底部自然形成了灰空间，室内室外的边界随即模糊。
The southwest and the south side ofphase II building have best views. Box A faces the southwest and has a dialoguewith the courtyard,and it may promote the communication between man and nature.We want Box A stand behind the tree in a seemingly light gesture, to look likelive on the tree gracefully. The bottom of the cantilever naturally forms agray space, and the indoor and outdoor boundaries are blurred.
▲ 建筑空间演变图 Buildingvolume evolution
▲ 空间功能轴侧图
将二期的出入口设在盒子A的悬挑下部的灰空间内。The entrance and exit of phase II islocated in the gray space created by the overhang of box A.
正南为景观面，面向泳池，墙外是一片茶园。我们需要综合考虑客房的采光，通风，隔热和私密性。景观面保留给客房区，客房集中于盒子B，主要客房面南，B与A之间用阳光书吧作为衔接以减少客房走廊的面积，增加整个二楼空间的使用率。书吧作为灰空间，促进客房区的南北通风性，让建筑本身有呼吸，有退让，有虚实。
Facing the swimming pool, there is a teagarden outside the wall in the south side. We should balance the nature light,ventilation, privacy and insulation at the same time. As a result, the landscape view is reservedfor the guest room area, assembled in Box B , and most of them are facing thesouth. The sunshine book bar is used as the connection between Box B and Ainstead of general corridor to reduce the traffic area and increase theutilization rate of the whole second floor space. At the same time, it becomesthe North-South ventilated gray space in the guest room area, so that thebuilding itself has breathing, concession, and emptiness.
心理学家埃里克森认为，人要经历八个阶段的心理社会演变，这种演变成为心理社会发展。这些阶段包括四个童年阶段、一个青春期阶段和三个成年阶段。每一个阶段有这些阶段应完成的任务，并且每个阶段都建立在前一阶段之上，这八个阶段紧密相连。
According to psychologist Erikson,people have to go through eight stages of psychosocial evolution, which becomespsychosocial development. These stages include four stages of childhood, onestage of adolescence and three stages of adulthood. Each stage has the tasksthat these stages should complete, and each stage is based on the previousstage, and the eight stages are closely linked.
02.考试Examination
在构思二期的室内空间时，我们将一期的亲子主题升级成青春成长的主题，以每个人都会经历的考试“试卷”做为视觉引导。
In the design of the interior space ofphase II, we try to refine the theme of parent-child in phase I to the theme ofyouth growth, then examination paper that everyone experiences are chose to useas visual guidance literally.
漫天飞舞的试卷，随着夏天的风飘落在一间间的客房前，变化成了写着班级号码的纸页造型的门牌。
Theexamination paper flying all over the sky with the summer breeze. Some of themfell in front of a room, then recognized as the door number with a classnumber.
楼梯间用红砖连接上下，让空间上下流动。试卷形成一条盘旋而上的引导线，契合了我们成长的轨迹
The stairwellis connected with red bricks to let the space flow up and down.Theexamination paper forms a spiral and upward guiding line, traces the track of ourgrowth
03.入学Entrance
一整个暑假赖在游戏机厅的日子一去不返，一起打游戏的朋友犹在眼前。A whole summer vacation spent in thevideo game hall is gone forever. The faces of friends playing games are blurredas well.
窗景之外，我们考虑如何实现房间的自身价值。Beyond thewindow view, we consider how to realize the value of the room itself.
房间局部的墙面铺贴了四格漫画，那个年代历历在目。The wall ofthe room is covered with four caricatures partially, the past years are stillvivid.
▲ 建筑南立面图 Southelevation of the building
▲ 建筑西立面图 West elevationof the building
▲ 1F平面图1F floor plan
▲ 2F平面图 2F floor plan
▲ 3F平面图3F floor plan
04.毕业Graduation
如果说秋田布谷一期，刻画了“孩子们”的童话梦境，守护着纯真的童心,那么二期，承载着“大人们”的成长回忆，见证着美好的青春。把承载记忆的种种收集在这里，回到内心最初的地方...... If say the Akita Bugu phase I depictsthe fairy tale dreams of "children" and guards the innocence ofchildren,Thephase II collects growth memories of "adults" ,witness the beautifulyouth.Memorypieces of growth are collected and displayed, it helps us to recall thebeginner’s mind.
愿你出走半生，归来仍是少年Years canwrinkle our skin, but never wrinkle our soul.
项目名称：秋田布谷二期项目地址：德清莫干山委托方：秋田布谷项目设计：无垠设计研究室设计主创：陈善武设计团队：刘益村 陈凯琪 金马陈设设计：叶阳阳 陈善武项目施工：德清佳诚装饰项目摄影：瀚默视觉-叶松项目周期：2019年1月-2020年1月项目面积：600平米主要用材：艺术涂料，水磨石，陶土红砖，杜邦纸
陈善武
杭州无垠设计创始合伙人
叶阳阳
杭州无垠设计创始合伙人
无垠设计研究室-致力于建筑，空间，光影，肌理，人文的设计研究。坚持努力创造有温度，有情感的叙事空间。
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