在本项目中，建筑师将一座坐落于北坡阴暗场地上的住宅改建为一栋明亮轻快的陶艺别墅。屋主人的愿望是将这座住宅打造成“堡垒”一样的小屋，以保护他的创作和生活免受外界环境，例如：噪音、眩光、炎热的气温，以及来往行人的干扰。因此，设计的核心理念是将建筑塑造为室内外空间之间的过滤膜，有选择性地吸收外部环境。
A project to rebuild a residence on a dark site on a northern slope into a residence for the working of ceramics in a hut. Taking into account the client’s request for a ‘fortress-like hut’ to protect his creation and life from outdoor obstacles (noise that interferes with work, glare and reflections, thermal environment, unnecessary visitors, etc.), the concept was based on a membrane that selectively takes in the outside.
▼沿街道看建筑，viewing the project from the street © Lemmart
▼主入口立面，facade of the main entrance © Lemmart
▼封面的立面与天窗，closed facade with skylights © Lemmart
为此，建筑师将住宅体量以如风车一般的“卍”字组织在一起，进而化解了恶劣的光照环境，使内部空间获得高侧采光。风车形态使屋顶与天花板之间形成缝隙空间，而这些空间则被像温室一样的透明波纹板覆盖，成为光环境、空气环境等的节点，可以说，这些缝隙空间就如同“细胞膜”一般，具有选择性渗透功能。
▼分析图，analysis diagram © micelle ltd.
Therefore, a single-flow that can take high-sidelight from the strict light environment was combined with a single-flow that rotates like a windmill in the shape of a swastika. The gap space was covered with transparent corrugated sheets like a greenhouse, which became a node for the light environment, air environment, etc., so that the gap space was used as a space with selective permeability, like a cell membrane.
▼住宅的主体墙壁上没有设置任何开窗，所有开窗都集中在体量凹陷的四角，There are no windows on the walls, and the openings are concentrated in the four corners of the notched perimeter © Lemmart
▼开窗细部，details of the corner openings © Lemmart
▼立面细部，details of the facade © Lemmart
屋顶与外墙之间的通风空间与室内空间通过高窗连接，这些高窗不仅为室内引入了充足的光线，同时也成为了室内外空间之间的枢纽，将气流与热量从外墙转移到室内，通过置换通风、重力通风、并利用通风空间的风压差和顶部的风扇进行自然通风，进而实现了建筑外表皮与室内环境的主被动协同式调节。
While allowing light to pass into the interior, the ventilation space of the roof/ exterior wall and the interior space are connected through high windows, and the space is like a hub for ventilation and heat removal from the exterior wall to the interior, allowing passive + active conditioning of the exterior skin/indoor environment through displacement ventilation, gravity ventilation, natural ventilation through wind pressure differential in the ventilation space and a ventilation fan at the top.
▼室内空间概览，overall of interior © Lemmart
▼餐厅，dining area © Lemmart
▼顶部天窗引入柔和光线，skylight at the top brings in soft light © Lemmart
建筑师特意将小屋的轴线由东向北偏移了22.5°，并且使本项目中的生活空间与周围住宅保持了一定的水平高差，这种设置让屋主人在室内就能欣赏到日出日落以及光线的变化，同时也避免了午后刺眼的阳光对于创作的影响。光线通过3英尺的透明波纹板进入高高的天窗，然后在通过倾斜的磨砂玻璃窗进入室内，在室内产生漫射，营造出柔和的光线环境。在本项目中，照射进室内的光线是有选择性的，其中高窗的设置就是这种理念的表象之一。
The plan with the square axis shifted 22.5° from east to north and the level difference with the neighbours allows morning and evening sunlight with colour temperature changes, while shading out the afternoon sunlight, and allowing light once through the 3′ transparent corrugated plate (which is somewhat spectralised) through the high window openings and then as diffused light through the frosted glass of the sloping windows. The light was taken in selectively, for example, through the openings of the high windows.
▼天窗之间的缝隙空间，gap space between skylights © Lemmart
▼天窗细部，details of the skylight © Lemmart
此外，住宅的平面根据与结构分割线不同的对角线组织的，这种设置创造出原始而又复杂的室内空间，将不同活动场景汇集在同一空间中，每种活动都能在柔和的光线下，找到最合适自己的位置。住宅的主体墙壁上没有设置任何开窗，所有开窗都集中在体量凹陷的四角。最终，封闭的墙面，天窗形成的垂直通风系统，以及位于角落的小窗，共同在整个建筑中形成了局部气压差，进而创造出通风循环，就如同守护京都的风水大阵一般。
Furthermore, the floor plan follows a diagonal line that differs from the segmentation of the structure. A complex but primordial space was created in the interior, in which multiple activities could take place in a micro-topographic environment that traverses and mixes different environments, selecting the most suitable locations and viewing the strong light coming in under a softer light. There are no windows on the walls, and the openings are concentrated in the four corners of the notched perimeter. The result is a large wall surface with no openings, while creating a ventilation ring through the local pressure difference created by the vertical sliding windows and the gouged shape, which resembles a lacuna to ward off demons in Kyoto.
▼客厅，living room © Lemmart
▼角窗，openings at the corner © Lemmart
封闭的外墙却能够让微风与光线穿过，在室内营造出宁静祥和的空间氛围。在日本，永远拉上的窗帘主导了城市景观，而本项目则通过消除这些象征性的、不必要的开窗，避免了居住者受到外部环境与行人视线的干扰，通过有机的建筑形式与“膜”的概念创造出住宅的新模式。而有机的“膜”结构也重新定义了建筑中的光环境，甚至重新定义了“家”的概念。
The space became calm and tranquil, with a large wall that allows the wind to pass through and reflects light and paintings. By not having symbolic windows, the facade eliminates useless windows that frighten the eye from the outside, and in a Japanese cityscape dominated by curtains that do not open, the organic membrane and its exterior form suggest a new way of being a ‘house’, where the function of light as a human home and the symbol of home are replaced by the organic membrane and its exterior form. The work could have been a new kind of ‘home’.
▼工作室，workshop © Lemmart
▼工作室与客厅之间的台阶，steps between workshop and living area © Lemmart
▼结构细部，details of the structure © Lemmart
▼楼梯细部，details of the steps © Lemmart
尽管这座住宅的外观显得沉默无言，但是具有选择渗透性的维护结构却使空间活化起来，如同有机的细胞膜一般保护了室内空间，并营造出舒适的室内环境。
Although the appearance is taciturn and allegorical, I designed it with a benchmark of organic membranes with selective permeability, such as clothes with fans and heaters, and inner eyes (digestive organs) and outer eyes (receptive organs).
▼卧室，bedroom © Lemmart
▼卧室角窗，corner windows of the bedroom © Lemmart
▼浴室，bathroom © Lemmart
▼夜景，night views © Lemmart
▼总平面图，master plan © micelle ltd.
▼客厅与工作室层平面图，plans of the living area and the workshop © micelle ltd.
▼卧室与屋顶平面图，plans of the bedroom and the roof © micelle ltd.
▼剖面图，sections © micelle ltd.
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