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坐落在墨尔本图拉克幸福街道上的Ottawa House看上去就像是从童话书中搬来的，它的法国城堡建筑和铺满砾石的前院点缀着一排排红橡树。展示了Fiona Lynch对石材和空间布局的把控力。室内具有艺术画廊的特色，我觉得自己可能是无意中走进了Joe Wright改编《傲慢与偏见》中的彭伯利庄园。 Tucked in the blissful streets of Toorak, Melbourne, Ottawa House looks like it has been lifted from a fairy tale book with its French Chateau build and gravel paved forecourt dotted with rows of red oak. Beyond the dreamy qualities unfolds an expert curation of defining stone qualities and flexible space arrangements made by Interior Design Studio Fiona Lynch. With an interior tailored with art-gallery qualities, I feel that I may have accidentally stumbled into Pemberley House from Joe Wright’s adaptation of Pride and Prejudice.
这座两层的巴黎风格住宅的最初是裸露的沙质内部立面，笨拙的厨房布置和不匹配的浴室。Ottawa House由其对称的平面定义，宽敞地容纳三间卧室和三间浴室，拥有有一个圆形中庭。应客户的要求，将空间进行改造，以体现前任和现任业主的好客精神，Fiona Lynch用Boffi和Wolf/Sub-Zero装置重新定位厨房，使其与生活区和外部景观无缝融合。曾经的黄色墙面用白色石膏重新抛光，成为一种新的画布，阳光的漫射赋予空间柔和的氛围。 This two storey Parisian-style residence was originally kitsch-heavy with exposed sandy façade interior, awkward kitchen arrangement and mismatched bathroom walls. Ottawa House is defined by its symmetrical plan generously holding three bedrooms and three bathrooms with a circular atrium in the centre. At the client’s request to transform the space as a celebration of the previous and current owner’s hospitality spirit, Fiona Lynch reorientated the kitchen with Boffi and Wolf/Sub-Zero fixtures to seamlessly merge with the living and external view. Former yellow walls are repolished with white plaster, becoming a new canvas while allowing light to exude a soft ambience.
粗切割石材放置在入口门厅的壁炉和楼梯的两侧，楼梯使用抛光木材和定制的青铜扶手。选择冰冷的材料给内部带来了力量的同时心生敬畏之感——Ottawa House几乎是由石头工匠雕刻的。 Additional rough-cut stone is placed at the flanking fireplace at the entrance foyer and the staircase, which is re-styled with charcoal polished timber and a custom bronze handrail. The selection of unapologetically cold material gives strength and awe to the interior – almost as if Ottawa House has been carved by a stone artisan.
现有复杂的黑色拼花木地板，加入而外的金属装饰，带来温暖和统一的整体。 Complimenting the existing intricate blackened parquetry timber flooring, additional earthy and metal qualities are reintroduced to bring warmth and unify the overall ensemble.
也许是因为现有的大理石浴缸令人难忘，几乎可以说它成了设计的灵感来源。大量大理石被用于浴室和套间的浮动盥洗室、墙壁隔墙，以及厨房雕刻的中岛台台面。 Perhaps because of the unforgettable existing marble bathtub, I could almost argue that it became the source of inspiration for the hero material. Volumes of marble are used in the bathroom and ensuite’s floating vanities, wall partitions, and as the countertop of the kitchen’s roughly chiselled stone island bench.
空间内部简洁的色调反映了对大理石特征的解构。在白色的墙壁上，分布黑色的钢制落地百叶窗，黑钢也构成了圆形中庭，以及厨房区域上方的黑色网格天花板。 The near monochromatic palette closely mirrors a deconstruction of marble’s characteristics. Against the white walls, black is distributed to the steel frames on the shuttered French windows, rails that frame the balustrade of the circular atrium, and black mesh ceiling above the kitchen area.
在卧室里，小麦色亚麻窗帘在毛织地毯的映衬下散发出柔和的光芒。烟灰色的精致拉手也用于橱柜。一件由Pinch设计的悬挂安德斯挂件，轻轻地漂浮在一座石制壁炉旁，在质感上保持一致，并带有一丝奢华感。 In the bedrooms, wheat-coloured linen curtains cast a soft glow against the textured wool carpets. Soot-coloured linen framed by delicate door pulls are also used in the custom cupboards. Maintaining consistency in materiality with a touch of luxury is a hanging Anders pendant by Pinch that gently floats by a stone fireplace.
生活区配有定制的金属搁板、定制的橡木家具和由青铜和马毛制成的限量版器械壁柜。黑色浴室装置由Piero Lissoni设计，用于装饰潮湿的区域，Agape和Gubi定制的圆形镜子盘旋在大理石装饰物上方。 The living areas are accompanied by custom metal shelving, bespoke oak timber furniture pieces, and a limited-edition Apparatus Wall sconce made of bronze and horsehair. Graphic black bathroom fixtures from Boffi designed by Piero Lissoni decorate the wet areas, and custom circular mirrors from Agape and Gubi hover above the marble vanities.
通常，大理石的过度饱和很容易使建筑的吸引力减弱，但当刻意用未精炼的材料加以平衡时，它散发出一种“粗糙的边缘”的品质。Ottawa House证明了Fiona Lynch精湛的石材应用技能——I am left wanting more。 Often oversaturation of marble can easily age the luxurious appeal of the architecture, but when nicely balanced out with purposely unrefined materials – it exudes a ‘rough around the edges’ quality. Ottawa House is a testament to Fiona Lynch’s masterful skills of stone application – I am left wanting more.
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