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Name | 作品名称： BLACK IN WHITE | 无间 Location | 项目地点： Guangzhou, China | 中国广州 Area | 项目面积： 325㎡ Interior Design | 主案设计： Li Zhongguang | 李忠光 Interior Design | 室内设计： CHASING DESIGN | 启呈设计 Soft Decoration | 软装设计： CHASING DESIGN | 启呈设计 Construction Unit | 施工单位： CHASING DECORATION | 广东启呈装饰工程有限公司
符号化的设计虽大行其道，但如此模式化的设计再无法触动人心。人们的认知方式发生了根本性的改变，从“具体”走向了“抽象”，从“实体”走向了“现象”，从“连续”走向了“间断”...... Although the symbolic design is popular, such a modular design can no longer touch people's hearts. People's cognitive style has undergone fundamental changes, from "concrete" to "abstract", from "entity" to "phenomenon", from "continuous" to "intermittent"...
本案以隔断为“断”，以屏风为“断”，以留白为“断”，让空间告别饱和感，又以“断”为“续”让空间展现更具张力。设计师以“有间”表达“无间”的概念，以【无间】表达“无间冬夏，心在桃园。”的美好景愿。 In this case, the designer takes the partition, the screen, the vacancy as a “break”, to let the space bid farewell to the sense of saturation, and takes these “breaks” to connect the interior space to make it more tension. The designer expresses the concept of “connection” with “breaks” and expresses the good wish of “No matter time passed, my heart will go on.”
拒绝“经验设计”，注重空间逻辑，依照逐步围合、递进分割的逻辑。根据不同的空间功能分割成大小不一的围合，以不同的空间逻辑得到多种空间序列。随着人们进入空间的内部逐渐感受到微妙的仪式感和序列感。 Reject "experience design", and pay attention to spatial logic, according to the logic of gradual enclosing and progressive segmentation. Divide into different sizes according to different spatial functions, and obtain multiple spatial sequences with different spatial logic. As people enter the interior of the space, they gradually feel subtle ritual and sense of sequence.
灰，介于黑白，它兼具黑白的优点，稳重，含蓄，却更能呈现艺术意蕴，更具包容性，可与任何色彩搭配。设计师亦有意借”灰“这个中性色彩消弭过道空间，使室内更显宽阔；借“灰”的包容性去呈现更多色彩组合的魅力，使空间更具层次感。 Gray，between black and white, it combines the advantages of both, stable and subtle, but it is more artistic, more inclusive and can be matched with any color. The designer also intends to use the neutral color to eliminate the aisle space, so that the interior is more spacious; use the "gray’s" inclusiveness to present the charm of more color combinations, making the space more layered.
正如日本山下英子《断舍离》中所表达的：舍弃不需要的东西，舍弃对物质的迷恋，才能让自己处于宽敞舒适，自由自在的空间。本案以逆向的思维去探索空间设计的可行性。将设计元素、色彩、材料简化到最少的程度，达到少胜多、简胜繁的效果，以提高生活的舒适度与幸福感。 As the Japanese Yamashita Hideko said in the CUT OFF FORM, abandon the unwanted things, abandon the fascination with the substance, in order to let yourself be in a spacious and comfortable space. This case explores the feasibility of space design with a counter thinking. Simplify the design elements, colors, and materials to achieve the effect of less better, less wins, to improve the comfort and happiness of life.
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